但有一件事很可能不會被提及：「2025計劃」（Project 2025）。
“When I was a teenager, cricket in Zimbabwe was almost exclusively played and supported by white people,” he says. “Besides the accents and topics of conversation, you could tell this by the way they would applaud and chant. It had a particular energy. The most animated fans were usually the ones who had too much beer and hurled abuse at the players on the boundary.”
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Nicola Ellis is currently exhibiting her work at HOME in Manchester
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